artist statement

Allison Tanenhaus (she/her) is a New York–born, Boston–based digital glitch artist. She specializes in trippy op art, anachronistic tech mashups, and unexpected dimensional qualities.

Source material consists of Allison’s photos, AI imagery, and artifacts that she reconfigures using smartphone apps. Made with equal parts deliberation and experimentation, the rainbow-hued mutations take on a psychedelic life of their own.

At a time when platforms pervasively cull personal data—and digital flawlessness is the norm—she views reclaiming devices, embracing error, and transforming environments as radical acts of autonomy and mindfulness.

She’s also a marketing and advertising copywriter, which you can read about here.

 

artist bio

Allison’s work has been showcased in 26 countries via exhibitions, installations, festivals, dance parties, music videos, live performances, and guerrilla street art. Highlights include the ICA Store at the Institute of Contemporary Art/Boston, Harvard Graduate School of Design, Boston Museum of Science Planetarium, SaveArtSpace, “Empowered Women Empower Women” curated by Paris Hilton, the Alternative Power 100 by shesaid.so and Patreon, and her traveling shows “GlitchKraft” and “Haus Party.”

Allison is a grantee of Somerville’s Visual Art Fellowship and the City of Boston’s Transformative Public Art Program, and is a member of electronic music group The Square Root of Negative Two and optical installation duo bent/haus.

 
 

education

2005  Harvard University (BA, English)

Studied under Zadie Smith, Elvis Mitchell, Amitav Ghosh, Annette Lemieux, Elisabeth Subrin, and Lorelei Pepi

2010  Emerson College (Copyediting Certificate)
2015  MassArt (Continuing Ed, Typography)

 

public art

2023 Emerging Technology in Art Festival, Jackson, Michigan
2023 SLÄP! Sticker Bus, Tartu, Estonia
2023 LoKo Arts Festival: “Mistery Machine,” Potsdam, NY
2023 Somernova, Somerville, MA
2022 PhygitArt, San Giustino, Italy
2022 FILE LED Show, São Paulo, Brazil
2021–2 City of Boston Transformative Public Art Program: “Frequencies,” Allston, MA
2021 Intervals: “NFTapping,” Nizhny, Russia
2021 Supernova: Silent Screen, 14th and Arapahoe, Denver, CO
2021 Keep Cool Somerville: “Mistery Machine,” Somerville, MA
2021 ArtBeat: Media Art Wall, Somerville, MA
2021 Videofenster: “Corporate Responsibility Project,” Ehrenfeld, Germany
2021 Hochkantfilmfest: “Regenbogenherz,” Bremen, Germany
2021 Streetlight: “Dustria,” Roman Susan, Chicago
2021 Art on TV: “Mind Control,” SaveArtSpace.org, New York, NY
2020 Entryway Projections: “Dustria,” Digital Art Month, Melissa + CADAF, New York, NY
2020 Building Projections: “Breacher, Murmurations, and Wavelengths,” Open Air 2020, UConn Avery Point, Groton, CT
2020 Building Projection: “One Emerson: Virtual Commencement,” Emerson College, Boston, MA
2020 Video Screens: “Orbteka,” Art on the Marquee 30, Boston Convention and Exhibition Center, Boston, MA
2019 Video Wall: “W-ATT,” Art on the Marquee 2, Boston Convention and Exhibition Center, Boston, MA
2019 Vinyl Building Wrap and Decals: “Crossing Crystals,” Bulfinch Crossing, Boston, MA
2018  Phone Art Box: “The Future of Telecommunications Was Here,” Somerville Arts Council and Nave Gallery, Somerville, MA

 
 
 
 

permanent collections

2019 Street Art Graphics Archive, St. Lawrence University, Canton, NY
2016  Hatch Kingdom Sticker Museum, Berlin, Germany

performances + exhibitions

2024 Live Code Boston, MIT Theater Arts, Cambridge, MA
2023 Violet Nox (opening for Madame Gandhi), Museum of Science Planetarium, Boston, MA
2023 Re:Karya International Video Festival, Central Java, Indonesia
2023 /’fu:bar/, Zagreb, Croatia
2023 GlitchKraft: Allison Tanenhaus + Friends, Trustman Art Gallery at Simmons University
2023 Art and Tech, Not Real Art
2023 Digital Soup Collective, CAA @ Canal, Cambridge, MA
2023 Allison Tanenhaus: Videosonics, South Bend Museum of Art, IN
2023 Haus Party, Machines with Magnets, Pawtucket, RI
2023 New England Synth Fest, Museum of Science Planetarium, Boston, MA
2023 Performing Media Festival, South Bend Museum of Art, IN
2022 Synth-mas, New Alliance Gallery, Somerville, MA
2022 Haus Party, Installation Space, North Adams, MA
2022 Glitch Art is Dead, Granite Falls, Minnesota
2022 /’fu:bar/, Zagreb, Croatia
2022 Project Distort, Old Red Bus Station, Leeds, UK
2022 Future Nostalgia FM, Weimar, Germany
2022 Stars of STEM, Museum of Science, Boston
2022 26th Annual Festival of Alternative Art, Armenia (Curator: Edgar Amroyan)

 
 
 

2022 GlitchKraft: Allison Tanenhaus + Friends,
The McIninch Art Gallery at SNHU
2022 bent/haus: Ben K. Foley + Allison Tanenhaus, Boston Cyberarts Gallery
2021 WetDoveTail 1:4, “Glitchfield,” Arts Council England
2021 Earth Day Art Model, “Corporate Responsibility Pledge,” Telematic Festival
2021 GRRL Telephone: Week 16, GRRL HAUS CINEMA
2021 Jouska, The Centre for Conscious Design, London
2021 ”Mind Control,” Homeostasis Lab, São Paulo, Brazil
2021 Spectralia, Fountain Street Sidewalk Video Gallery, Boston
2021 The TELEPHONE Project, worldwide
2021 Simupoems, “Lucky 7s,” Sussex Festival of Ideas, UK
2021 NYC Electroacoustic Music Festival, “Corporate Responsibility Pledge,” New York
2021 Altered Images Film and Music Festival, “Corporate Responsibility Pledge,” London
2021 Fireglow Music Festival, “Ambient Works,” Boston
2021 Chasing Light, “Glitchfield” + “Breathing,” Gallery 263, Cambridge, MA
2021 Bogotá Experimental Film Festival, “Corporate Responsibility Pledge,” Colombia
2021 Small File Media Festival, “Viva Vibra (Series),” Simon Fraser University, Vancouver, BC, Canada
2021 Empowered By Paris Hilton: Empowered Women Empower Women, “Pixel Nails,” Sevens Foundation
2021 Supernova Festival: Everything Abstract Experimental, “Breathing,” Denver, CO (Juror: Nicolas Sassoon)
2021 Athens Digital Art Festival, “Breathing, Athens, Greece
2021 High Tatras Film & Video Festival, Slovakia
2021 4th Photometria in Motion, Ioannina, Greece
2021 9th Annual International Video Poetry Festival, Athens, Greece

 

2021 /’fu:bar/, KC Attack, Zagreb, Croatia
2021 Psychedelic Film and Music Festival, New York
2021 Videobardo, Buenos Aires, Argentina
2021 Festival Angaelica, Columbia Gorge, Oregon
2021 Audiovisual Frontiers, UC Riverside
2021 Bucharest Stickerz Fest, Romania
2020 Adjusting the Lens, Unrequited Leisure, Nashville, TN
2020 Unknown Communication, Lancaster, UK
2020 Transienttt Online Residency, Merseyside, UK
2020 Defund + Defend: Digital Artifact Sale for M4BL, New Media Caucus
2020 Touchy Feely, Gallery 263, Cambridge, MA
2020 Glitch.Art.BR: Glitch Art International Online Exhibition, Post-pandemic First Edition
2020 Ojo de Agua Film Festival, Aguas Migrantes, Bay Area, CA
2020 Supernova Festival: Everything Abstract Sonic, Denver, CO
2020 ASMRKitten and Boston Collective Film Festival

 
 

2017 Street Art Day 3.0, Gravina in Puglia, Italy
2017 Barry’s Shop, Allston, MA
2017 Love Cat, Scriptorium, Berlin, Germany 
2016 A Group Thing, Thomas Young Gallery, Boston, MA
2016 ARTBEAT: International Street Art and Sticker Expo & Sticker Museum, Valpovo, Croatia
2016 Underground Blend, Memphis Pop Art Festival/Designer Toy Summit, Pontotoc, MS
2016 World Wide Slap Convention, Zap Surf Tokyo, Tokyo, Japan
2016 Characters Welcome 5, Tattooed Mom, Philadelphia, PA
2016 D.C. Street Sticker Expo, The Fridge, Washington, D.C.
2016 Urban Up 4, Leipzig, Germany
2016 Stickerfest, Malmö, Sweden
2016 Artifesto, DTLA Graff Lab, Inglewood, CA
2016 Stonehenge 69 Gallery, Cambridge, MA
2016 Barry’s Shop, Allston, MA
2016 Sticker Museum, Invasion of the Stickers, Brooklyn, NY

 
 

fashion

2004  Anti-Fashion Show, Arts First, Cambridge, MA
2002  Young Designers’ Showcase (YDS), NY
2001  “Manmade Girl,” VERY UP & CO, NY

 
 

bibliography

2023 Rachel Flood Page, “Unpredictable Visual Errors: Allison Tanenhaus Brings Her GlitchKraft to Simmons College,” Artscope, September / October
2023 “GlitchKraft: An Interview with Allison Tanenhaus,” Gallery & Curatorial Fellows, Trustman Art Gallery Blog, October 16
2023 “Dig This: “Bounce” With Somerville Open Studios,” Dig Boston, May 2
2023 “New, original performances hit stages in and near South Bend. Plus, some traditional arts,” South Bend Tribune, March 9
2022 Darcie DeAngelo, “A New Reflexive Turn: Glitches, Carbon Footprints, and Streaming Videos in Visual Anthropology,” Digitisation and Low-Carbon Energy Transitions, Editors: Siddharth Sareen, Katja Müller, December 12
2022 “Dig This: A Multimedia Suite Inspired by the Writing of Philip K. Dick,” Dig Boston, November 28
2022 Marjorie Kaye, “Visual Revolution Took Many Forms in 2022,“ Artscope Magazine, November / December
2022 “The role of NFTs in the Arts and a Ukrainian art tradition,” Open Studio with Jared Bowen, GBH News, April 15
2022 “Dig This,” Dig Boston, February 24
2022 “The Dig Interview: Allison Tanenhaus on her Simultaneous Shows,” Dig Boston, February 15
2022 Cate McQuaid, “A guide to cyberarts: From bots to glitch, an annotated glossary for an age of augmented reality,” The Boston Globe, January 27
2022 Amy Kamosa, “Finding joy in the everyday,” The Harvard Gazette, January 24
2022 Scott Roberto, “WINTER ARTS ROUNDUP: Visual Arts,” Boston Guide, January 19
2022 Cate McQuaid, “Glitch art gone wild: Ben K. Foley and Allison Tanenhaus embrace error at Boston Cyberarts Gallery,” The Boston Globe, January 12
2021 Annie Dell'Aria, The Moving Image as Public Art: Sidewalk Spectators and Modes of Enchantment, part of the Experimental Film and Artists’ Moving Image book series (EFAMI), page 259
2021 Jon Cates, “Cyberpsychedelic Abstraction in the World of Glitch!,” Format C, October 30
2021 “Dig This,” Dig Boston, October 7
2021 Andrew Northrop, “State of the Festival: Bite Size Methodologies—The 2nd Small File Media Festival,” MUBI, September 9
2021 Shira Laucharoen, “Artist Profile: Allison Tanenhaus,” Boston Institute for Nonprofit Journalism, August 17
2021 “‘SHE SLAPS!’ featured artist: Allison Tanenhaus (USA),” Stickerkitty, July 23
2021 Alexandra Knief, “Outdoor art: Vertical film festival at Bremen's bus stops,” Weser Kurier, April 13

 
 

2018 Featured Digital Artist, The Webby Awards, January 18
2017 Featured Digital Artist, Xuxoe, December 25, December 29
2017 “Words of the Day” Featured Sticker Artist, Stuck-Up Official, December 2
2017 “24 People And Their Funny Observations About Food,” eBaum’s World, Feb 2016
2017 Geoffrey Asmus, “24 Accurate Observations About Food,” CollegeHumor, February 1
2015 Steven Harrington and Jaime Rojo (co-founders of the Brooklyn Street Art blog), “Temporary Street Art That’s Changing The Graffiti Game,” Ziptopia, October 14
2014 Lara Parker, “21 Things That Are So Damn True,”BuzzFeed, November 6
2004 WWD College Issue, WWD, April 15, p. 19
2003 M.T. Young, “Skirting the Issue: FM Faux Trend Alert,” The Harvard Crimson, March 13
2002 What’s Up Today,” PaperMag.com, August
2002 “Pick of the Day,” Time Out New York, August 29–September 5
2001 Clarel Antoine II, “By Their Own Design: Students Sport D.I.Y. Designs,” The Harvard Crimson, October 16, p. 9
2001 Terry E. Chang, “Nice Legs: Freshman Hawks Bags In NYC," The Harvard Crimson, September 27
2001 Allison Tanenhaus, “Do-It-Yourself Designing,” Tiger Beat, August, p. 18

 

2019 Dear So-and-So: A Pen Pals Art Show, Distillery Gallery, Boston, MA
2019 GlitchKraft: Allison Tanenhaus + Friends, Emerson Contemporary, Boston, MA
2019 /’fu:bar/, KC Attack, Zagreb, Croatia
2019 @ Exhibition: Email Art Show, El Sótano Art Space, Brooklyn, NY
2019 She Slaps: Female Artists Sticker Show, Hatch Kingdom, Berlin, Germany
2019 Stickma: International Sticker Festival, Madrid, Spain
2019 Stencibility: Släp International Sticker Exhibition, Tartu, Estonia
2019 Priority Made: A Nationally Curated Postal Sticker Show, Dorchester Art Project, Boston, MA
2018 Rattled! Presented by Cosmos and Friends, Down The Road Beer Co., Everett, MA
2018 /’fu:bar/ Glitch Art Festival, Autonomous Cultural Center Medika, Zagreb, Croatia
2018 #nohatefamily Street Art Collective Installations, Cologne and Berlin, Germany (and beyond)
2018 I Must Confess, Liv_ID Collective, Bangkok Underground Film Festival, Thailand
2017 The Surreal Show, Specto Art Space, Harrisonburg, VA
2017 /’fu:bar/ Glitch Art Festival, Klub Attack, Zagreb, Croatia
2017 Young, Dumb, and Broke, Extension Gallery, Allston, MA (Jurors: Audrey Hsia and TJ Kelley III)

 
 

2015 12th Annual Hot One Inch Action, Hot Art Wet City, Vancouver, BC cards and postcards
2015 Library Thoughts 5, MAMU Gallery + Jokai Klub, Budapest, Hungary
2015 2nd Annual Pop-Up Exhibition, Flock Gallery NH, Manchester, NH
2015 E7900, Aviary Gallery, Jamaica Plain, MA
2015 Sense of Place, Jan Brandt Gallery, Bloomington, IL (Juror: Bill Conger)
2015 Small Works, The New Bohemian Gallery, Brainerd, MN
2015 Blurring the Edges, Dubuque Area Arts Collective, Dubuque, IA

 
 

awards

2022 Best Interactive Project: Computer Space International Computer Art Forum
2021 Best Experimental Film (Shortest Division), Festival Angaelica
2021 Best EDM Psy-Trance Song, The Psychedelic Film and Music Festival
2021 Alternative Power 100 Music List: shesaid.so and Patreon
2021 Best Relaxation Music Video: High Tatras Film & Video Festival, Slovakia
2020 Finalist (x2), Honorable Mention (x1): ONE Condoms Design Contest
2019 Shortlist: Palos Verdes Art Center Building Wrap Contest
2019 Semifinalist: City of Cambridge Vacant Storefront Design Contest
2019 Finalist: ONE Condoms Design Contest
2019 LCC (Local Cultural Council) Fellowship: Visual Art, Somerville Arts Council
2018 Runner-Up: 14th Annual Button Badge Design Competition, Stereohype
2016 Merit, Experiential: Events & Entertainment, 56th Annual Hatch Awards, The Ad Club
2016  Finalist: The Top 20 Tweets In The World (This Week), Chicago Tribune
2014 Funniest Commercials of 2014, Spike TV
2013  Second Place: My Sports Clubs’ Winter “Write Our Ad” Contest
2004  #2: Top Ten Favorite Artworks, Books, Musical Recordings, and Websites of 2003, Banks Violette, Artforum International Magazine (I edited an artist’s book; twas not my art!)

 
 

2021 Shira Laucharoen, “Somerville Wire: Weekly Roundup,” Boston Institute for Nonprofit Journalism, March 9
2020 Cat Zhang, “Is Glitchcore a TikTok Aesthetic, a New Microgenre, or the Latest Iteration of Glitch Art?,” Pitchfork, November 19
2020 “Nine Black Cat Stickers,” JSTOR Daily, October 27
2020 Cate McQuaid, “Outdoor pop-ups boost Boston’s newest art fair. ‘We all have fatigue looking online these days.’” The Boston Globe, July 29
2020 “On Our Radar—Artist Feature: Allison Tanenhaus,” Hola Gwapa, July 15
2020 Abigail Feldman, “‘One Emerson’ Public Art Projection Celebrates 2020 Graduates,” The Boston Globe, May 17
2020 Doug Holder, “Somerville Artist Allison Tanenhaus: A Public Artist in the Time of the Plague,” The Somerville Times, May 6
2020 “Where Art Meets Tech,” ArtWeek, February 12
2019 “Dear So-and-So: A Pen Pals Art Show,” Kolaj Magazine
2019 Cate McQuaid, “The Ticket: What’s Happening in the Local Arts World,” The Boston Globe, September 28
2019 “All About You,” Uppercase Magazine, April 14
2019 Marc Bingham, “Glitch Art Glory with Allison Tanenhaus,” The Underdog Print Shop, January 21
2018 Ian Chan, “Roving Reporter: Boston Media, Arts & Ideas Mixer,” The Harvard Crimson, November 25
2018 Tim Logan, “A Wave of New Hip Hotels Is Headed for Long-Overlooked Corners of Boston,” The Boston Globe, March 29
2018 Featured Digital Artist, Xuxoe, January 29, February 2, February 16, June 10